Jonathan Moore brings you terror on the high seas

Close Reach ★★★★
Jonathan Moore|

Sweet dreams are made of this
Who am I to disagree?
I travel the world
And the seven seas,
Everybody’s looking for something.
Some of them want to use you
Some of them want to get used by you
Some of them want to abuse you
Some of them want to be abused.

It’s been so long since I’ve actually reviewed a book that I’m feeling a lot rusty, but this little terror of a gem is so gripping and so good that I felt I had to write something. This one is a Kemper rec — and we all know what a persnickety pants he is — so that alone should put this tightly written 200 page nightmare high on your TBR radar.

As Kemper points out in his review — this book isn’t going to be for everyone. It contains graphic — and readers, I do mean graphic — depictions of violence. Jonathan Moore is a talented writer (his skills on full display here) and his vivid, descriptive prose will grab you by the throat and you will SEE EVERYTHING in your mind’s eye unfold in full, unrelenting technicolor. The suspense and tension are almost unbearable at times, both exquisite and excruciating. It’s an often overused compliment of any decent thriller to refer to it is as a “page-turner”, or a “nail-biter” or as “unputdownable”. But sweet jebus people, if ever a book qualified as being any of these, it’s this one.

Despite its lean 200 page length that’s jam-packed with details about the logistics of sailing the perilous high seas, Moore still manages to find room for a shit ton of nerve-wracking action sequences, and to make us deeply care about our main protagonists — married couple Kelly and Dean. He will put our intrepid heroes through A LOT, and you will go through all of it with them.


#31HorrorFilms31Days Roundup (2)

Scary-movie1This is my second annual roundup for the 31 Horror Films in 31 Days challenge. I had such a great time doing it last year, that I just had to do it again. The rules are pretty simple — beginning October 1st watch 31 previously unseen horror movies by midnight of Halloween, tweeting each one with a descriptive blurb and the hashtag #31HorrorFilms31Days.


The real “challenge” comes into play cobbling together a list of 31 horror movies I’ve never seen before and stand a decent chance of being good. I cheated only a little with The Birds; I had seen it before but this was the first time on a big screen, so I decided to include it. If you think you know Hitchcock but have never seen any of his films on a theater size movie screen then I’m telling you you’re missing out. You have no idea. It’s like seeing the movie for the first time (and definitely how Hitchcock envisioned the size of the canvas he was working with). This makes all the difference.


There seemed to be a lot more duds this year peddling plain sloppy examples of lazy and unimaginative movie making and storytelling. But coming out of that mixed bag of uninspired mediocrity were some of the scariest (and funniest) horror movies I’ve seen in a long, long, time, so I’m still calling this year a huge win.



Topping my list this year for outright scariest, achieving a surprising amount within its very modest indie budget is the Australian flick Lake Mungo (2008). Its simple but incredibly convincing faux documentary style relies on no special effects, no jump scares or loud music, and it still SCARED THE LIVING BEJEBUS out of me. It accomplishes so much with so little — this is as stripped down and bare bones as movie making gets, but it all felt so authentic and engaging, pulling you right into the heart of this family and the tragedy they’re experiencing. So not only is it a believable portrait of grief, it really digs at the psychological costs of grieving and how we might process an actual haunting. This is a movie that impressed me with its ambitious ending too. It’s a twisty narrative that when it finally departs from its straight-forward premise where you think you know exactly what’s going on, the movie is going to jangle your nerves, terrify you, break your brain (and then your heart). Watch it!


file_744248_wyrmwood-posterAnother winner from Down Under is the post-apocalyptic zombie flick Wyrmwood (2014). I’ve been burning out on zombies of late (and I place the blame firmly at the feet of The Walking Dead for my zombie fatigue — so glad I stopped watching). But this loud, action-packed, gory and edgy zombie fest from Australia is smart and innovative with some Mad Max thematic overtones to act as the cherry on top. The zombie genre is SO well-trod it’s really a challenge to pull off anything new, but Wyrmwood succeeds splendidly. Trust me, put this one on your watch list. And tell your friends! I want a sequel.


Another HUGE SURPRISE was the Lovecraftian romantic horror mash-up (yes, you read that right) — Spring (2014). This one was so unexpectedly spring-2014great, I almost gave it five stars. Not only is it a convincing love story set in a beautiful Italian landscape, it is a terrifying contemplation on body horror and metamorphosis. It’s subtle yet consuming, with great dialogue and fantastic chemistry between the two leads. And don’t just take my word for it: horror maestro and creative genius Guillermo del Toro tweeted that it’s “one of the best horror films of this decade.”


The FUNNIEST horror comedy that I watched this year had to be What We Do In The Shadows (though I finally got around to seeing Dale and Tucker vs Evil and that almost tied with it). Both of them I will watch again because they’re that good. What We Do In The Shadows is a mockumentary out of New Zealand from the creator of what_we_do_in_the_shadows_ver6Flight of the Conchords. If you weren’t a fan of that show, don’t let that stop you from checking out this HILARIOUS look at the life of a den of modern vampires sharing a house together trying to navigate their challenging condition and their annoyances with one another. It’s fresh, cheeky and a whole bucketful of bloody fun.


And lastly, while not strictly a horror movie per se, I finally got around to seeing Green Room with Patrick Stewart and the gone much too soon Anthon Yelchin. This is a gripping, edge of your seat, white-knuckle thriller that grabs you by the throat and doesn’t let go until the final credits roll. It is INTENSE, extremely well-acted, and not easily forgotten. The violence is graphic, but not gratuitous, and the suspense and tension unrelenting. If you haven’t seen it yet, add Green Room to your queue. You won’t regret it.



Lastly, please share what scared YOU this October. I’m already working on my list for next year!


31. WYRMWOOD (Australia 2014) Mad Max w/ ? Yes please! Action-packed, gruesome & funny 4/5

30. FEBRUARY (2015) Sally Draper’s left behind at empty boarding school over holiday. Quiet & supremely unnerving 3.5/5

29. SPRING (2015) A mash up of body horror & love story profoundly, authentically beautiful in its themes & charm 4.5/5

28. CLOWN (Canada/US 2014) Like if Jeff Goldblum had morphed into a demon clown instead of a fly 3.5/5

27. CELL (2016) Cell phones turn people into fast moving zombies, sorta??? Confused & messy & kinda dull 2/5

26. CUB (Belgium 2014) Boy Scouts + feral wood kid. No. Just no. Graphic violence + animal cruelty 0/5

25. TUCKER & DALE VS EVIL The dumbest, clumsiest college kids mistake two hapless hillbillies as psycho killers. 4/5

24. DEMENTIA 13 (1963) Francis Ford Coppola’s mainstream directorial debut & weak attempt at ripping off Hitchcock 2/5

23. GOODNIGHT MOMMY (Austria 2014) Opens w. twin boys playing in a cornfield. You know this isn’t ending well.

22. THE HALLOW (Ireland 2015) The deep Irish woods are alive with… you don’t want to know. It isn’t leprechauns 2.5/5

21. THE DEAD ROOM (New Zealand 2015) Minimalist approach to maximizing suspense. Impressive sound fx 3.5/5

20. STAKE LAND (2010) Mad Max meets The Road via vicious vampires. Gripping apocalypse melodrama with great acting 4/5

19. HALLOWEEN: THE CURSE OF MICHAEL MYERS (1995) Paul Rudd’s film debut and the final film of Donald Pleasence

18. WHAT WE DO IN THE SHADOWS (New Zealand 2014) Loved it! The funniest goddamn vampire movie you will ever see 4.5/5

17. THE ONES BELOW (2015) Epic suspense fail when your audience can predict every plot twist 2.5/5

16. FOUND (2012) What sucks more than being 12 and getting bullied? Discovering your brother is a serial killer 3/5

15. LAKE MUNGO (Australia 2008) Utterly unnerving indie gem in faux-doc style. Don’t miss this one! 4.5/5

14. PURGE 3: ELECTION YEAR (2016) Very shoot ’em up this time and LOUD. The tonight was much scarier 2.5/5

13. BONE TOMAHAWK (2015) A horror western with cannibals starring Kurt Russell and Patrick Wilson? Yes please 4.5/5

12. BAD MILO! (2013) This is why men don’t give birth. Utter schlocky nonsense totally worth it for Peter Stormare 3/5

11. ZOMBEAVERS (2014) Because sometimes you just have to opt for the truly ridiculous. Raunchy, gory fun 3.5/5

10. THE BOY (2016) Lauren Cohen gets nanny gig in English mansion. The Innocents meets Pinocchio meets Chucky?? Meh 2/5

9. BLEED (2016) Never go ghost hunting in an abandoned prison when you’re pregnant. Recycled schlock 1/5

8. MANIAC COP (1988) What’s not to love here? 1980s NYC, Tom Atkins, ‘s chin & eyebrows, & Raimi cameo

7. HOLIDAYS (2016) Very meh horror anthology that tries too hard to be clever. That bathtub scene though 2/5

6. THE OTHER SIDE OF THE DOOR What part of don’t open the goddamn door do you not understand?! Nothing new here 2.5/5

5. GREEN ROOM (2016) Punk rockers get a gig in a den of neo-Nazis and see something they shouldn’t. Intense!  4/5

4. SINISTER 2 (2015) Predictable jump scares pale in comparison to outstanding frightening unforgettable original 2.5/5

3. BERBERIAN SOUND STUDIO (2013) British sound engineer gets movie job in 70s Italy. Lynch-like weirdness ensues 3/5

2. THE BIRDS Small coastal town besieged by shrieking, screeching homicidal birds. Calculated silences=pure dread 5/5

1. CRIMSON PEAK Lush, gothic romance filled with terrible beauty and dread by the master 3.5/5

What an excellent day for an exorcism

My Best Friend’s Exorcism: A Novel ★ ★ ★
Grady Hendrix
Quirk Books, 2016


“What an excellent day for an exorcism.”
~The Exorcist (1973)

bfexorcismThis is an okay book. Fair. Acceptable. But it takes too long to really get humming (I’m all in for foreplay, but Hendrix really pushes the limits to impatience here). More than three-quarters of the novel is essentially an angsty teen, coming-of-age high school drama about a group of girls and their growing pains with each other and with the world around them. It could very well be Gossip Girl or One Tree Hill — except that one of the main characters might be demonically possessed (instead of merely being a catty bitch). Sometimes it’s nigh on impossible to tell the difference.

Here’s the thing — this book suffers by comparison to a lot of other things. Nobody writes the mysterious, dark and turbulent interior lives of teenage girls better than Megan Abbott. Seeing Hendrix attempt to do the same thing here as he explores the iron bonds of friendship forged by Abby and Gretchen when they were children pales in execution and gravitas to Ms. Abbott’s vast talents with her mighty quill.


“What an excellent day for an exorcism” ~The Exorcist (1973)

The demonic possession and exorcism angle is adequately covered — but again suffers by comparison to 2015’s Bram Stoker Award winning A Head Full of Ghosts. And no matter who you are, if you’re writing about this subject, your book is always going to be compared to Blatty’s classic horror novel The Exorcist and Friedkin’s enduring film adaptation of the same name.

Hendrix might have thought he was doing something new and clever here by mashing-up a coming-of-age teen drama with the horror tropes of demonic possession stories, but he doesn’t quite make it. Some scenes are definitely creepy and unsettling, there just weren’t enough of them (too few of them coming too late in the story) to sustain any kind of coiled tension and impending sense of doom in the reader. And boy, is it really hard to write an exorcism scene that chills, rather than have it feel like a spoof out of a Scary Movie sequel, or a daytime soap opera.

Who’s old enough to remember Marlena Evans? Me!

I’m Thinking of Ending Things

I’m Thinking of Ending Things ★★★★
by Iain Reid
Simon & Schuster Canada, 2016

Available: June 14th!

endingOooooh, this is a tough one to review, because it’s not going to be for everyone, and I also don’t want to give too much away. It’s a slim volume that packs such a WALLOP! that creeps up on you, it would be super easy to spoil it for someone if you weren’t careful.

Many people have this filed as ‘Mystery’ or ‘Psychological Thriller’ and it’s sorta a blend of those, but way closer to ‘Psychological Horror’ for me than anything else. It’s an unsettling, paranoid mindfuck that at first appearances seems pretty slow-moving and innocuous. There’s a young couple on a road trip to visit the guy’s parents at their secluded farmhouse, and the girlfriend is “thinking of ending things”. In her head she’s ruminating on the course of their courtship and mulling over the nagging feeling that it’s time to pull the plug on a relationship whose expiration date is past.

endingthingsBut she also has a secret. Dun-dun-DUUUUUN.

But the boyfriend — who starts the novel normal and quite nice — starts to appear odd and off kilter as soon as we get to the farmhouse. Then things inexorably creep to majorly weird and unsettling with the parents by the time we get to dessert.

And just as you’re processing what’s happening in that farmhouse and freaked the hell out because you don’t know where the threat is coming from (or if whether there’s even a threat at all), the book will move to its final act in a deserted high school.

This isn’t a book about what happens. It’s one of those how we get there. It’s a book of atmosphere and tension and a narrator who absolutely takes the cake on unreliable. It’s a paranoid chant in places, and I was literally gripping the book as I was reading it because everything started to feel so portentous, so HEAVY, that the most horrible thing could happen at any moment. All bets are off. As a reader, when I am in the hands of a writer like that, and at their complete mercy, there is no other place I would rather be.

It was horror god Nick Cutter who brought my attention to this book first when he tweeted this about it:

“Creepy as hell. You owe me a few fingernails, Reid, because I’ve bitten them off reading your book!”

When Mr. Cutter endorses a book like that I will do just about anything (and I do mean anything people) to get my hands on a copy. Fortunately, I didn’t have to kill anybody (and lose precious reading time getting rid of the body since my woodchipper is in the shop). The publisher provided a review copy for free, no violence required, no cleanup in aisle four. Thanks Simon and Schuster Canada!

I want to compare this short read (which you should do in one sitting for maximum impact) with other great stories of the same ilk, but I don’t want to risk spoiling anything. I’m Thinking of Ending Things is psychological, subtle, mind-bendy, and utterly unnerving. I can’t wait to read this one again to enjoy its construction and appreciate even more the flawless execution of its moving parts.

Iain Reid, you are on my radar.

You can connect with the author here:
Twitter: @reid_iain

#31HorrorFilms31Days Roundup

Scary-movie1This was the year I decided to take the 31 Horror Films in 31 Days challenge. The rules are pretty simple — beginning October 1st watch 31 previously unseen horror movies by midnight of Halloween, tweeting each one with a descriptive blurb and the hashtag #31HorrorFilms31Days. This was a no brainer. In my world, watching 31 horror movies would be a breeze and a pleasure.

The real “challenge” I faced was cobbling together a list of 31 horror movies I’d never seen before (because I’ve seen a lot). Not only that, I wanted them to be movies I thought had a decent chance of being good. It’d be easy come up with a list of B-grade pieces of schlocky garbage. I wanted my challenge to be a labor of love, a genuine attempt at uncovering some diamonds in the rough and a perfect opportunity to catch some classics I’ve managed to miss along the way.

The verdict — I’m deliriously pleased to announce — is that horror is not dead. Despite too many baaad remakes and too many rip-offs and too many shaky cameras, the genre is alive and well. Not just good movies, but great movies are being made. Even M. Night seems to be back in the game after I’d sworn off his movies for good after The Happening, in which nothing actually happens other than people get the_nightmarescared by “gently rustling leaves.” Two hours of my life I won’t ever get back, fuck you very much. The Visit isn’t half bad though, with some creepy scenes and a “twist” that has a “the call is coming from inside the house!” kind of vibe. The kids are a bit overly precocious and annoying, but the old woman is TERRIFYING.

Listed below is my complete round-up of all 33 movies I ended up watching by Halloween. They were all previously unseen. I’ve assigned a rating out of 5. No movie scored 5/5 but two came very close — not surprisingly Jacob’s Ladder and the 1978 version of Invasion of the Body Snatchers.

Not necessarily the best, but the two that scared me the most (as in sleep with the light on nearly make me pee my pants level of scare) included most unexpectedly a new documentary called The Nightmare about sleep paralysis. The human brain is an asshole and some unlucky people fall under its torment nightly. Don’t miss this. I will say the same bansheefor  The Banshee Chapter. Ever heard of Shortwave Numbers Stations? Yeah, me neither. This movie makes use of them in a way that completely unnerved me. Sit alone in a dark room and listen to the swedish rhapsody. I dare you.

Also high on my list from Canada is Backcountry — a gripping man versus nature tale about an intrepid couple who go into the woods — and meet a bear. It’s beautifully shot and terrifying to watch unfold. Not as good as Open Water, but very compelling nevertheless in its convincing actors and in the confident execution of its simple plot.

Lastly, please share what scared YOU this October. I’m already working on my list for next year!

33) HALLOWEEN TALES | Anthology of ten ghoulish tales reminiscent of Creepshow & Tales From the Crypt 3/5 #31HorrorFilms31Days #Horror

32) THE VISIT | Old people be scary. Precocious kids can’t see dead people but get traumatized for life anyway 3.5/5 #31HorrorFilms31Days

31) INVASION OF THE BODY SNATCHERS 1978 “They’re already here!” 4.5/5 #31HorrorFilms31Days #MissionAccomplished

30) DEAD WITHIN Couple hiding from zombie-esque plague become unhinged in their isolation. Slow burn but good 3/5 #31HorrorFilms31Days

29) HOUSEBOUND | Bratty adult with legal troubles is trapped at home with mum under house arrest. Funny & scary 3.5/5 #31HorrorFilms31Days

28) HELLRAISER (1987) | Ugly characters. Ugly movie. Pinhead is a dick. How has this spawned so many sequels? Hated 0/5 #31HorrorFilms31Days

27) BIG ASS SPIDER! As much scary fun you can have w/ a giant arachnid & it still be legal 4/5 #31HorrorFilms31Days

26) STARRY EYES Bleak Faustian tale mixing Cronenberg body horror w/ Lynch weirdness. Compelling but difficult to watch #31HorrorFilms31Days

25) THE LAZARUS EFFECT | Didn’t little Gage teach you people nothing?! Sci-fi Pet Sematary 3/5 #31HorrorFilms31Days

24) THE GALLOWS Is this House of Leaves high school? How big is it anyway? Silly shaky mess copycatting much better 2/5 #31HorrorFilms31Days

23) DIABOLIQUE Stripped to its bare essentials this classic is effective but sorely missing Hitchcock’s stylings 3.5/5 #31HorrorFilms31Days

22) BACKCOUNTRY (Canada 2014) | Open Water in the woods with a bear. Lush & nerve-wracking 4/5 #31HorrorFilms31Days

21) HIDDEN (2015) Intense, claustrophobic survival story about a family hiding underground 4/5 #31HorrorFilms31Days

20) WE ARE WHAT WE ARE | If Texas Chainsaw Massacre was a subtle, lyrical well-acted movie. This one surprised me 4/5 #31HorrorFilms31Days

19) THE HAUNTER (Canada 2013) Teen caught in time loop in haunted house. Must unravel sinister mystery. Nice twist 3/5 #31HorrorFilms31Days

18) THE AWAKENING (2011) | Jimmy McNulty is a British boarding school teacher. There is a boy ghost. And a twist. 3/5 #31HorrorFilms31Days

17) THE GIFT (2015) | More psychological thriller but still intense and creepy. Bullies suck. Karma is a bitch. 3.5/5 #31HorrorFilms31Days

16) WE ARE STILL HERE Never bring hippies into a haunted house with ancient curse. Good! 3.5/5 #31HorrorFilms31Days

15) THE HOUSE AT THE END OF TIME (Spain 2013) | Well plotted ghost story genuinely frightening and emotional Rating 4/5 #31HorrorFilms31Days

14) DEAD SNOW 2: RED VS. DEAD | Russian zombies kick Nazi zombie ass. Gory slapstick fun! 4/5 #31HorrorFilms31Days

13) INSIDIOUS: CHAPTER 3 | Pissed off demon in a breathing mask torments teen girl. Intensely scary for a sequel. 3.5/5 #31HorrorFilms31Days

12) DEAD SNOW Cabin in the Norwegian mountains movie w/ NAZI zombies. Spectacular cinematography, splatter and fun. 4/5 #31HorrorFilms31Days

11) CABIN FEVER: PATIENT ZERO | “No, I’m not on my period. Why do you ask?” Flesh eating disease is an asshole. Rating: 3/5 #31HorrorFilms31Days

10) THE HOUSE OF THE DEVIL | Adventures in babysitting. Nostalgic 70s stylings & slow build make this a real gem 4/5 #31HorrorFilms31Days

9) THE PYRAMID Can a movie be so bad it’s good? Yes. Just not this one. What a laughable mess in every way. Rating 1/5 #31HorrorFilms31Days

8) THE BANSHEE CHAPTER Effing scary!! Sound effects are unnerving. Lovecraft + hallucinogens = bad news Rating: 4/5 #31HorrorFilms31Days

7) GRABBERS Creature feature with drunk Irish and tentacles. Hilarity abounds. Nearly peed myself laughing. Rating 4/5 #31HorrorFilms31Days

6) JUG FACE Hicklit meets The Lottery. Young girl cheats Pit. The Pit wants what it wants. Backwoods chaos ensues 2.5/5 #31HorrorFilms31Days

5) THE HOUSES OCTOBER BUILT Found footage. 5 friends. Haunted houses. Hells no! Scare tactics on crack 4/5 #PeedALittle #31HorrorFilms31Days

4) JACOB’S LADDER | Vietnam vet has hellish visions. Doesn’t know what’s real anymore. Terrifying and beautiful 4.5/5 #31HorrorFilms31Days

3) RE-ANIMATOR Sometimes dead is better. Ayuh. Above all else, keep your head. Cheesy gory fun. My rating: 3.5/5 #31HorrorFilms31Days

2) THE NIGHTMARE 2015 | Dramatized documentary about sleep paralysis. Scary! My rating: 3.5/5 #31HorrorFilms31Days

1) HERE COMES THE DEVIL – (Mexico 2012) Creepy kids get lost in a cave overnight. Come home acting even creepier 2/5 #31HorrorFilms31Days

Welcome to The Coliseum (or, the many faces of Craig Davidson)

coliseumThe Coliseum ★★★★
Patrick Lestewka
Necro Publications, 2011

Deep in the Canadian back country a new experiment in extreme penal punishment is underway. Although officially known as the Innuvik Penitentiary, it’s more widely known as: The Coliseum. On October 15th, 1993, the first twenty prisoners were unleashed. These were the worst of the worst. Brutal criminals, psychopaths, lunatics, call them what you will. Today there is a batch of new fish. How long will they survive? What became of the original 20 prisoners? And what the hell is breeding in the deep, dark recesses of…THE COLISEUM


I’m a self-identified horror addict and veteran of the genre. It takes A LOT to rattle my cage. This book? It is an unholy abomination – a dark, seething morass of gore and human depravity. It is not a fun read. But if you are so minded, it is a keenly compelling and profoundly disturbing one.

And now a word about this book’s parentage. What unhinged mind gave birth to such a darkling monster?

There’s this Canadian author Craig Davidson. You may have heard of him. He is a wonderful literary writer who has been nominated for prestigious awards, and one of his short stories has even been adapted into a critically acclaimed film. But Davidson has a dark side you see — an alter ego that hijacks his more literary proclivities and pushes his writing into macabre and horrific territory.

Craig Davidson (aka Nick Cutter, aka Patrick Lestewka)

Craig Davidson (aka Nick Cutter, aka Patrick Lestewka)

Meet Nick Cutter, one of the most exciting things to happen to horror in the last decade. And he’s CANADIAN. So just when you think we’re all nice and polite and spend our days drinking Tim Horton’s coffee and playing hockey, think again.

About being Richard Bachman (Stephen King’s too short-lived alter ego) King quotes the late Donald Westlake referring to his very own alter ego Richard Stark: “I write Westlake stories on sunny days. When it rains. I’m Stark.” For Davidson, I like to imagine the same rule applies. Sunny days he writes as Craig — when it rains, Cutter takes over the writing room and anything goes. Anything.

But here’s the twist (are you still with me?): before there was Cutter, there was this guy Patrick Lestewka — and let’s be clear here — he makes Nick Cutter look like Mister Rogers. In fact, I think when Davidson realized he had this sub-id consciousness living inside of him — this psycho “other” — it scared the living shit out of him so much that he created Nick Cutter TO KILL Lestewka in an act of self-preservation. Who knows what would have happened if he hadn’t? It doesn’t bear pondering.

Lestewka had to die. Unlike the late, gone too soon Bachman, we will NOT mourn his passing. Instead we will breathe a sigh of relief, for it is a terrible, grotesque landscape in which he maneuvered, where he beckons us to come play, where the light never shines, where all hope is gone, and cruelty is the only currency.

Back in 2014, I shared a Q&A with Nick Cutter. I didn’t know about Lestewka then, and now really wish I had because I would have loved to have gotten Cutter’s take on the guy — maybe even a confession of murder of the pseudonym! Ah well, there’s always next time!

My Favorite Movie Endings of All Time

the_end_small_2Just recently a friend and I had an animated discussion about our favorite movie endings. It turned out to be so much fun that I thought I’d compile my picks into a blog post.

Neither one of us is a rabid cinephile or film critic; we just love movies. So our respective lists turned out to be hodge-podges of personal favorites and guilty pleasures (as opposed to a more sober, hypercritical assemblage of undisputed “classics”). Sorry no Casablanca, Chinatown or Citizen Kane here. That’s not to say that I don’t take the movies on my list seriously; I take them very seriously. I love them all. Especially their endings.



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